The Ethan Hein Blog
Music and related topics
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- 1,165 from 13 Nov 2008 to 28 Oct 2026
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- weekly (55 in the last year)
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2026 40
- New podcast series: the Beatles in 10 songs
- I joined the dark side and vibe coded a music theory app
- The meanings of Louis Armstrong
- RIP Dolly Parton
- Podcast episode about AI and musical creativity
- AI is harmful for learning which is why I’m banning it in my classes
- My 20th Century American Pop History syllabus
- I decided what song I’m going to start my History of 20th Century American Popular Music class with
- My Favorite Things update
- Seven and Nine
- Take Five
- Teaching Pop Music Analysis for Non-Majors
- The Night Has a Thousand Eyes
- Teaching the history of 20th century American popular music
- How to learn to jam
- More people should be listening to Tim Eriksen and Peter Irvine
- Podcast episode on songs vs grooves
- That one weird chord in “Sir Duke”
- Radiolab used my Mozart remix
- Blackbird singing in the dead of night
- Introducing Tuniversity
- The Gospel According To Aretha
- Angine de Poitrine on MusicRadar
- Check out these grooves that I have my aural skills students improvise over
- A unified theory of rock harmony in one sentence
- The Weight
- What I learned from remixing “Dreams” over and over
- Twelve remixes of “Dreams” by Fleetwood Mac
- Happy In A Silent Way Day to all who celebrate
- Free improvisation
- Low end theory
- I’m in this Adam Neely video about AI
- Two-chord shuttles on the pod
- I love when my songwriting students drop albums
- Satisfaction
- It Takes Two
- Bob Weir tribute on MusicRadar
- The plan for Pop Theory II and Pop Aural Skills II this semester
- RIP Bob Weir
- Season two of the podcast
2025 67
- Things I wrote in 2025
- Mr Tambourine Man
- All of Me
- Dancing in the Street
- Is there a way to teach counterpoint that is less of a drag?
- Advanced Pop Transcription wrap-up
- AI slop predates AI
- AI transcription on MusicRadar
- Portrait of Portrait of Tracy
- Fretless bass
- Electric and electronic instruments of 20th century pop
- Amen break listening guide
- Uncharted Territory, The Number Ones, 500 Songs, and a different 500 songs
- Five songs that show the evolution of rap from 2000 to 2025
- Five songs that show the evolution of rap from 1986 to 2000
- We should be counting most pop music in 8/4
- D’Angelo tribute on MusicRadar
- Advanced Pop Transcription at mid-semester
- Introducing my first podcast guest, my daughter
- AI slop and musical creativity
- A couple of media hits
- Black Sabbath and Pink Floyd on MusicRader
- Yet another podcast update
- Podcast update, and I guess blog update
- Aretha Franklin and Art Garfunkel on the pod
- An homage to Otis Redding on the pod
- Rockit on the podcast
- One week left to register for Songwriters Lab
- Circle of Fifths sequences on the pod (also me singing)
- F-sharp, G-flat, and the mysteries of just intonation
- Listening to the Well-Tempered Clavier in actual well temperament
- William Orbit’s polymetric groove in an All Saints song
- Watermelon Man on the podcast
- The name of this tune is The Funky Drummer
- Check out this beautiful EP by one of my former songwriting students
- Podcast episode on swing
- Podcast episode on blue notes
- Modulations in “Man in the Mirror”
- Ray Charles on the podcast
- The circle of fifths is a lie
- New podcast episode on McCoy Tyner and the fourths chord
- I started a podcast
- Thelonious Monk plays the blues
- Aretha Franklin sings “Bridge Over Troubled Water”
- I wrote a song about chromatic embellishments
- End-accented phrases make melodies sound cool
- Explaining suspensions
- Explaining embellishing tones
- New online songwriting class with Synthase
- Is ABBA, like, good?
- Everybody Loves The Sunshine
- What key is “Dreams” by Fleetwood Mac actually in?
- Bring It On Down To My House
- Visualizing secondary dominants
- A year of writing for MusicRadar
- RIP Roberta Flack
- Is music getting dumber?
- Terrapin Station
- Doechii on Colbert
- Fahren fahren fahren auf der Autobahn
- Ray Charles sings “You Are My Sunshine”
- Harmonic rhythm in two-chord shuttles
- Inside the Super MAGFest Jam Clinic
- New MusicRadar column on Music For Airports
- Subterranean Homesick Blues
- I want to write a book about the Grateful Dead
- MusicRadar column on one of Bob Dylan’s greatest hits
2024 91
- Things I wrote in 2024
- My year in pop aural skills teaching
- My year in pop music theory teaching
- In defense of “Wonderful Christmastime”
- Jason Yust on the racist history of tonality
- Stormy Monday
- A general theory of pop smashes
- Uncle John’s Band
- Don’t Know Why
- Ii v i
- The melodic-harmonic divorce in pop
- Adding vocal harmony to a Tears for Fears song
- Identifying chromatic embellishments
- Cumberland Blues
- Identifying suspensions
- Dark Star part two
- Dark Star part one
- Modern Band Music Theory
- He’s Gone
- We Were Pretending
- Black Peter
- Anyway, here’s Wonderwall
- MusicRadar column on “Lilac Wine” by Jeff Buckley
- The Grateful Dead as improv comedy
- A nice Jerry line from the Cornell Scarlet>Fire
- Scarlet>Fire 5/8/77
- Playing in the Band
- I wrote a song to help my students with key signatures
- Mississippi Half-Step Uptown Toodeloo
- I built a track out of Grateful Dead jamming
- Big River
- The 32-bar AABA song form
- Phil Lesh gets funky
- Jerry Garcia’s Slipknot! solo
- The Mind Left Body Jam
- Inside the Beautiful Jam
- Touch of Grey
- The harmonica as a metaphor for pop music theory
- C-flat and B-sharp
- MusicRadar column on three songs from Brat by Charli XCX
- Maceo Parker’s blue notes in a James Brown classic
- F-sharp vs G-flat in just intonation
- What does Jerry Garcia play on “Eyes of the World” and why does it sound so cool
- New book chapter with Toni Blackman
- High Time
- Hobo Blues
- New MusicRadar column about Chappell Roan’s “Good Luck, Babe!”
- Devil Got My Woman
- Russian Lullaby
- The F-Flat Annual Back-to-School Symposium
- The minor key universe
- Joy To The Modes
- Understanding intervals
- What is voice leading?
- Visualizing note and rest durations
- What is tempo?
- What is syncopation?
- The major key universe
- New MusicRadar column on Sabrina Carpenter’s “Espresso”
- The bottom number in time signatures has always confused me
- Happiness is a Warm Gun
- The Beatles multitracks
- What are harmonics?
- Back to Black
- Identifying major and minor
- Identifying sequences
- Hypermeter
- Identifying augmented chords
- MusicRadar column on “Wanna Be Startin’ Somethin'” and “Soul Makossa”
- Identifying tritone substitutions
- Identifying modulations
- Improvising over secondary dominants
- Improvising countermelodies
- Identifying blues melodies
- Identifying melodic motives
- Identifying embellishing tones
- Identifying song forms
- Identifying phrase structure
- Identifying harmonized basslines
- Identifying standard pop chord progressions
- Identifying plagal cadences
- Identifying I, IV and V chords
- Identifying the diatonic modes
- Identifying pentatonic scales
- Identifying added-note chords
- Identifying seventh chords
- Call Me Maybe
- New monthly column for MusicRadar
- As it turns out, I will be teaching aural skills at NYU this semester
- Jack Straw
- Whisper Not
2023 69
- Things I wrote in 2023
- NYU Steinhardt is assigning this blog in its music theory and aural skills core classes
- Love Rollercoaster, Genius of Love, and nonsensical chord loops
- The Beastie Boys, James Newton, and phonographic orality
- How Infrastructure Works
- Bemsha Swing
- Nature Boy Megamegamix update
- Can I Kick It?
- Scientist Rids the World of the Evil Curse of the Vampires
- Rap before hip-hop
- You’re Gettin’ A Little Too Smart
- Gladys Knight heard it through the grapevine
- Exploring Hip-Hop Pedagogies in Music Education
- Dissertation summary
- Polymeter vs polyrhythm
- New Orff arrangements with Heather Fortune
- We Are Never Ever Getting Back Together
- Freedom Jazz Dance
- Artificial intelligence in music
- Don’t You Worry ‘Bout A Thing
- Musical Borrowing syllabus
- Dies irae
- Technology in Music Education – updated syllabus
- If I Fell
- Bach’s Duet in E minor BWV 802
- Pusherman
- Lil’ Darlin’
- I made a new track for teaching swing
- Absolute Beginners
- Ashes to Ashes
- Moonage Daydream
- Little Simz and Ramsey Lewis
- Melanie’s chords are usually sad
- Baby, I Love You
- The saddest chord progression ever (revisited)
- Rock Steady
- Over The Modal Rainbow
- Ahmad Jamal and hip-hop
- I made some music using modes of the harmonic series
- The final day of the Song Factory course
- As The World Falls Down
- Songs in film and television
- Building the Amen break
- God Make Me Funky
- Playing “Giant Steps” as an instrument
- No one can agree what time signature “Row Row Row Your Boat” is in
- Building the Funky Drummer beat
- Ch-ch-ch-ch-changes
- We’re just normal men
- Frequency and EQ
- Why did 13th century Europeans think that major sixths were dissonant?
- St Stephen
- A nice thing happened with my music theory songs
- Eye Know
- The Man Who Sold The World
- Life On Mars?
- RIP Wayne Shorter
- For No One
- What is the difference between analog and digital recording?
- Building Hip-Hop Educators – new book chapter abstract
- Where do jazz standards come from?
- She’s Leaving Home
- Brad Mehldau plays the Beatles
- The twelve bar blues
- Strawberry Fields Forever
- There Was A Time (I Got To Move)
- Althea
- Don’t Sweat the Technique
- The Song Factory course
2022 61
- My year in writing
- New book chapter on critical race theory in music education
- Just intonation harmonicas
- Check out this excellent blue note
- I Want To Hold Your Hand
- I Heard It Through The Grapevine
- Dorian mode
- The Ghostbusters theme song
- Blues harmony primer
- Mixolydian mode
- The microphone placement playlist
- In My Life
- Why are there so many minor scales
- Tuning is hard
- What’s Going On
- The first day of Contemporary Music Theories at the New School
- Why are D-sharp and E-flat considered to be two different notes
- Bach’s mysterious Sarabande
- Bach’s Lute Suite in G minor
- Tennessee Jed
- Patrice Rushen’s memory songs
- Bach Anxiety
- Led Zeppelin and the folkloric integrity of the blues
- Groove: an aesthetic of measured time
- Human Behaviour
- Elizabeth Cotten’s fingerstyle ragtime
- I Wanna Be Your Lover
- Betty Davis and the blues sus4
- Warp factor
- Psycho Killer
- Crosseyed And Painless
- Take Me To The River
- Making Flippy Floppy
- Burning Down The House
- Once In A Lifetime
- Lonely Woman
- The tale of my PhD
- Isaac Schankler remixes Beethoven
- Who’s got two thumbs and a PhD in music education?
- Slippery People
- This Must Be The Place (Naive Melody)
- Don’t Worry About The Government
- David Byrne’s American Utopia
- Erroll Garner meets the Carpenters
- Dilla Time in “Chameleon”
- Watermelon Man
- What the heck is a decibel
- Get Dis Money
- Dilla Time
- Aural Skills for Audio Engineers
- I wrote another rap song to inspire my Pop Practicum students
- Designing learning experiences with music technology: good for whom, good for what?
- Hidden Place
- The Anchor Song
- Hear J Dilla flip a Gary Burton sample three different ways
- The diminished scale
- Relative minor, relative major
- We Don’t Talk About Bruno
- Theory Hacks with Ableton
- Technology Trends in Music Education
- The whole tone scale
2021 82
- My current Intro to Music Technology syllabus
- Things I wrote this year
- Living for the City
- The chromatic circle and the circle of fifths
- Remixing David Bowie’s “Starman”
- Morning Dew
- The harmonic family tree
- Seventh chords in just intonation vs 12-TET
- Let’s analyze Alexander Scriabin incorrectly
- Dual tonicity in a classic klezmer tune
- Led Zeppelin, “Ten Years Gone”
- Curb Your Enthusiasm
- Smokestack Lightning
- How guitarists learn music theory
- Research statement
- Nahre Sol introduces Billie Eilish to the classical canon
- The blues and the harmonic series – a visual guide
- The problem with just intonation – a visual guide
- Modes from light to dark around the chromatic circle
- The Well-Tempered (and not-so-well-tempered) Clavier
- Teaching statement
- Just intonation and key changes
- The three diminished chords: blues, jazz and classical
- The Kronos Quartet play Jimi Hendrix
- Defining key centers with rhythm
- Music Theory Songs
- Chords and modal interchange
- Waiting For Benny
- The politics is in the drums: Producing and composing in the music classroom
- Spoonful
- No, Rolling Stone, D minor is not the saddest of all keys
- Lightnin’ Hopkins – “My California”
- I made a Patreon page
- Nature Boy
- Starfish and Coffee
- Here is a web based music education tool that I wish existed
- I Want You Back
- Interview with the Vancouver Arts Colloquium Society
- I was weirdly obsessed with this jazz tune when I was twelve
- Our book is out!
- The great scale flowchart
- The blues and the harmonic series
- Kind Hearted Woman Blues
- Blues tonality update
- Boogie Chillen
- Brokedown Palace
- Did Lorde rip off George Michael?
- Kicking out the JAMS
- Pieces vs Songs vs Grooves
- Chain of Fools
- Oye Como Va
- Bach’s Passacaglia and Fugue in C Minor
- What if the Bach Chaconne was modal jazz?
- Deep dive into the Bach Chaconne
- Music Ed Tech Talk with Will and me
- Green Onions
- Conversation with Jim Frankel on the MusicFirst podcast
- Music is not a universal language and this klezmer song proves it
- Art of Fugue – Contrapunctus XI
- Art of Fugue – Contrapunctus VIII
- I am making my students write raps and I wrote one too
- The Art of Fugue – Contrapunctus I
- Teaching songwriting to music education students
- Sonnymoon for Two
- Groove melodies
- Repetition legitimizes, funk beautifies
- Adam Neely video on “Hey Joe” and blues tonality
- The best guitar solo ever recorded
- Groove harmony
- Keep On Truckin’
- You Are What I’m All About
- Who is Heinrich Schenker and why should you care?
- Swing primer
- Miles Davis – In a Silent Way
- The Roots, “Don’t See Us”
- The NYU Music Education Popular Music Practicum
- The Roots – “The Lesson Part III (It’s Over Now)”
- Thelonius
- Happy inauguration day
- Soon may the wellerman come
- Rhythm-a-Ning
- Straight, No Chaser
2020 80
- I’m doing a session for the 2021 Remixing General Music conference
- Circular chord charts
- Songs vs Grooves
- Beethoven Remixed
- Let’s ditch “The Star-Spangled Banner” and make “Lean On Me” our national anthem instead
- Für Elise
- Na na na na, na na na na, hey hey, goodbye
- Lonely Woman but it’s Gregorian chant
- Transcribing Kendrick Lamar
- Transcribing Missy Elliott
- So What
- John Oswald said he likes my Stevie Wonder/Laurie Anderson mashup
- Transcribing Noname
- Transcribing Lil’ Kim
- What is Hip-Hop Education, the remix
- What is going on in this Noname beat?
- Transcribing KRS-One
- Brandon Bennett interview remix – What is hip-hop education?
- Adam Neely video on rap covers
- Toni Blackman interview remix – What is hip-hop education?
- Martin Urbach interview remix – What is hip-hop education?
- Children of Production
- Lesson Plan Sundays on Twitch with Will Kuhn
- Remixing the Grateful Dead
- My favorite Jerry Garcia riff
- Mothership Connection
- Greensleeves
- Let’s rename the scales something more memorable
- Will Kuhn and I finished our book
- Help on the Way -> Slipknot! -> Franklin’s Tower
- Jazzy harmony and crazy tuplets in Chopin’s Nocturne Op 9 No 1
- What does the Well-Tempered Clavier sound like in actual well temperament?
- I learned how to make animated gifs
- Beethoven’s Pathétique Sonata
- Learn to improvise on the white piano keys
- Fugue as sample flip
- What does it mean to remix the classical canon
- Chopin’s “Raindrop” Prelude
- Remixing Bartók’s Mikrokosmos No 133 – Syncopation
- Two hundred Disquiet Junto submissions
- The racial politics of music education
- Eleanor Rigby
- Remixing a solo saxophone recording by Catherine Sikora
- Perpetual motion in the Presto from Bach’s G minor Violin Sonata
- “Work Song” and blues harmony
- An intro to remixes
- Clair de Lune
- Dear Prudence
- Rhythmic ambiguity in the Bach E major partita prelude
- Hip-hop glossary
- Perpetual motion in Bach’s E major Violin Partita Prelude
- Is it okay to post tracks with unlicensed samples?
- Key centers in the Grateful Dead’s China>Rider
- Brian Eno and the role of the producer
- I Wish I Knew How It Would Feel To Be Free
- Make your chord progressions less boring using secondary dominants
- Ain’t No Sunshine
- Let’s listen to some extremely slowed down Bach
- An intro to counterpoint
- The Chord Dictionary
- I’m making a bunch of music teaching videos
- Online music teaching resources
- Harmonica Meditation
- RIP McCoy Tyner
- Metrical dissonance in the Gigue from Bach’s E minor English Suite
- Syncopation in Chopin
- The Amen Break of snobbery
- Let’s argue about this one weird chord in the Brahms Intermezzo in B-flat minor
- Flava In Ya Ear
- What is going on in this Ariana Grande song?
- Glenn Gould wanted me to make this remix
- Goodbye Ralph
- Classical music as ancient alien power source
- Ignorant Populists
- Teaching note values
- Bach Chaconne – Gimme the Lute mix
- NYU Music Education Technology Practicum syllabus
- Scales, keys and modes on the circle of fifths
- Remixing Mozart’s Piano Concerto No. 21 – Andante
- Party like it’s 1624
2019 41
- Chord progressions in the Bach Chaconne
- My year in blogging
- Teaching dynamics and loudness
- Remixing Ben Shapiro
- How do key signatures work?
- Live scoring with No Country for Old Men: update
- Live film scoring with No Country For Old Men
- How to record from the aQWERTYon
- Learning minor key harmony from the Bach Chaconne
- Bach’s Suite for Solo Cello No. 1 – Prelude
- Ben Shapiro has opinions about rap
- Announcing the Theory aQWERTYon
- Salsa in Central Park
- Sound writing with my New School students
- Donna Lee
- RIP Godfried Toussaint
- I Wanna Dance With Somebody
- Jacob Collier’s four magical chords
- Remixing “A Day In The Life”
- Naima
- Toni Blackman asks, why worry?
- Developing an intro-level music theory course
- Talking whiteness on the So Strangely podcast
- Lil Nas X and the racial politics of country music
- Remixing Monk vs covering Monk
- The Groove Pizzeria
- Why can’t you tune your guitar?
- Rob Walker on The Art of Noticing
- Toni Blackman on the wisdom of the cypher
- The “Rockit” rhizome
- The longest sample chain
- Toni Blackman’s hip-hop meditation
- Samuel Halligan’s awesome Pop-Up Piano for Ableton Live
- Brandon Bennett: the ethnopedagogical remix
- Kumbaya
- Ableton Loop 2017 panel on music tech and education
- New book chapter on the Groove Pizza
- The Shinobi Cuts remix chain
- New gig at the New School
- Tim Eriksen is the best folk musician in the world
- Mr Ethan, I want to hear you rap
2018 38
- My year in (other people’s) music
- Speech to song with iZotope and Ableton
- Groove Pizza update
- Future jazz
- Giant Steps
- Learn diatonic harmony from a classic breakbeat
- Ableton Loop 2018
- Making music with students’ found sounds
- White people with acoustic instruments covering rap songs
- Young Thug meets Elton John
- Blogging about blogging
- Happy Earth, Wind and Fire Day
- Funky Minuet in G major
- Simple songs
- Dissertation update
- Remixing Satie’s Gymnopédie No 1 with Ableton Live
- RIP Aretha Franklin
- How to make drums and synths from literally any sound
- Jordan Peterson and Luke Skywalker
- My adventures among the alt-right
- Some news
- Scratching “This Is America”
- Separating children from their parents at the border is morally wrong
- Racism is not over and America’s prisons prove it
- Learning Debussy’s “Clair de Lune” with Ableton Live
- The orchestra hit as a possible future for classical music
- This Is America
- Teaching whiteness in music class
- Participant ethnography of a hip-hop cypher
- RIP Cecil Taylor
- Big thoughts on music tech
- Music for practicing scales
- Hip-hop as a tool for hip-hop ethnography
- Chord pizzas
- Dancing to Michael Jackson with my kids
- Hip-hop teaches confidence lessons
- Real vs hyperreal vs surreal
- Junto trios
2017 68
- Critiquing creative work with a growth mindset
- New harmony course with Soundfly
- The happiest chord progression ever
- Gender in science
- Duke Ellington, Percy Grainger, and the status of jazz in the music academy
- In praise of the Reflex Re-Edit
- The fake and the real in Chance the Rapper’s “All We Got”
- Ngoma aesthetics after apartheid
- Four bars of Mozart explains everything humans like in music
- Aurality
- Theorizing sound writing
- Ableton Loop 2017
- White nationalist music in Sweden
- What is culture?
- Ethnomusicology and the voice
- Ethnomusicology and the body
- Happy 100th birthday to Thelonious Monk
- The value of music
- Ethnomusicology and world music
- The vocoder and Auto-Tune
- My music technology syllabus
- The aQWERTYon pitch wheels and the future of music theory visualization
- My first Musicto playlist
- Philip Tagg’s Everyday Tonality
- Noteflight as a DAW
- In praise of campy Batman
- Cranes in the Sky
- Groove challenges with the Groove Pizza
- Teaching myself the Bach Chaconne with Ableton Live
- Learning music from Ableton
- Demographics of the Disquiet Junto
- You kids like the wrong music, part two
- Toward a Methodological Stance
- Research proposal – Hip-Hop Pedagogy
- Designing a more welcoming aQWERTYon experience
- A participant ethnography of the Ed Sullivan Fellows program
- American Apartheid
- It’s Alright Ma (I’m Only Blogging)
- Design-Based Research
- The Long Shadow
- The Groove Pizza now exports MIDI
- Cyclic Defrost
- Testing the effects of game music on cognition
- Breaking down the harmony in Gnarls Barkley’s “Crazy”
- Meet the audio file formats
- New online music theory course with Soundfly!
- Milo’s first original song
- Marked
- Ain’t No Makin’ It
- Durkheim – Suicide
- Ideological and Theoretical Assumptions
- Intersectionality
- Deconstructing the bassline in Herbie Hancock’s “Chameleon”
- Objectivity, Positivism, and Epistemological Others
- Examining the Assumptions Underpinning Interpretive Inquiry
- Classical composers, Bowie and Björk
- Games for learning research method overview: interviews
- Descriptive Participant Observations on the Culture of the Park Slope Food Coop
- Frank Ocean – Pink and White
- The Interpretive Turn: From Sociological Positivism to Constructivism
- More salsa-dancing social science
- Measurement in games for learning research
- The role of culture in interpretive inquiry
- The Craft of Research and Salsa Dancing
- Introduction to Research on Games and Simulations
- Affordances and Constraints
- Chance the Rapper’s verse on “Ultralight Beam”
- Freedom ’90
2016 69
- Careless Whisper
- Cultural hegemony in music education
- Despite the Best Intentions
- Design Process For Learning book review
- Making better citizens through dance
- QWERTYBeats design documentation
- Artistic citizenship in the age of Trump
- High school masculinity
- Coping strategies
- Foucault – History of Sexuality: An Introduction, Volume One
- Music Matters chapter seven
- Foucault – Discipline and Punish
- The title of this book is everything wrong with music education
- Music in a capitalist culture
- Marx and Althusser
- Music Matters chapter six
- Bourdieu and Swidler – Structures and the Habitus
- Music Matters chapter nine
- QWERTYBeats research
- Freud – Civilization And Its Discontents
- Music Matters chapter five
- Émile Durkheim – Elementary Forms of the Religious Life
- Music Matters chapter four
- The Protestant Work Ethic and the Spirit of Capitalism
- Music Matters chapter one
- Music Matters chapter two
- Music Matters chapter three
- Writing advice from Hamilton
- Between The World And Me
- An open letter to GQ about “We Built This City”
- Musical simple: Groove Is In The Heart
- Musical simples: This Must Be The Place (Naive Melody)
- Musical simples: With Or Without You
- Musical simples: Hey Jude
- Musical simples: Day Tripper
- Musical simples: Come Together
- Musical simples: Smells Like Teen Spirit
- Visualizing hip-hop melodies
- Why hip-hop is interesting
- Visualizing trap beats with the Groove Pizza
- Composing in the classroom
- Rohan lays beats
- More remixes of my Disquiet Junto remix
- Recursive remixes
- Prepping my rap and rock class at Montclair State
- John Dewey on music education as experience
- Ilan meets the Fugees
- Liora Bresler on qualitative research methodology
- Personhood and music education
- Seeing classic beats with the Groove Pizza
- Project-based music technology teaching
- Beatmaking fundamentals
- The evolution of the Groove Pizza
- Musical simples: Family Affair
- Theory for Producers: the White Keys
- Afrofuturist pedagogy
- Compositional prompts
- What the heck is the LIGO chirp?
- Musical simples – Under Pressure
- Musical simples – Teenage Dream
- Milo meets Beethoven
- Ultralight Beam
- Inside the aQWERTYon
- Theory for Producers
- Music education at the grownups’ table
- What should we call classical music?
- Please stop saying “consuming music”
- Space Oddity: from song to track
- RIP David Bowie
2015 65
- Teaching reflections
- We dream of Star Wars
- You kids like the wrong music
- Ethan’s Trax
- Musical simples – Possibly Maybe
- Musical simples – Star Wars
- Victor Wooten teaches music teaching
- Musical simples: Stir It Up
- Musical simples: Army Of Me
- Musical Simples: Once In A Lifetime
- Musical Simples: Superstition
- Here’s what’s cooking with the NYU MusEDLab
- Resisting imperialism through secular devotion
- Hit Me Baby
- User interface case study: Patterning
- Goodbye SoundCloud?
- The Great Cut-Time Shift
- Prototyping Play With Your Music: Theory
- Musical Necker cubes
- Rhythmic simples
- Compound musical simples
- Why do people think music should be free?
- Steve Reich’s Clapping Music: The Game
- Musical simples part two
- Musical simples
- Pedagogical remixing with Splice
- Hip-hop top 100
- Diverge, converge, diverge, converge
- Making chords from scales
- Ch-ch-ch-check out, check out check out my melody
- When does a speech turn into a song?
- Circular rhythm visualization talk at Spotify
- The harmonica explains all of Western music
- What even is digital art
- Lifelong general music
- How does jazz work? The up-goer five version
- Music in a world of noise pollution
- Music theory for the perplexed guitarist
- Scale necklaces and symmetry
- Music theory on Hacker News
- Beats and scales
- A history of pop production in three tracks
- How the heck do you know what scale you’re supposed to use for lead guitar?
- Rhythm Necklace
- Do you need music theory to create music?
- BB King gives us a guitar lesson
- Were the Beatles great musicians?
- Modern classical techno
- Mobile music app recommendations
- Why is there so much Auto-Tune on everything?
- Beethoven fan sputters with rage
- Björk live at Kings Theater
- The Blurred Lines lawsuit
- Musical shares
- Booking me for workshops
- We got both kinds, country and western
- Sampling composers
- Talent considered harmful
- Pop songwriting in the age of the Digital Audio Workstation
- The poetics of rock
- Mixing “Call Me Maybe”
- First day of music tech class
- Composing speech
- Listening, hearing, and the infinite loop
- Subverting music education
2014 59
- How to tell funk from disco
- DJ Earworm on the art of the mashup
- Terry Riley and Taylor Swift
- What’s missing from music theory class?
- How should we be teaching music technology?
- Pop musicians in the academy
- My Montclair State students evaluate me
- Adam Bell evaluates my teaching
- What if music theory made sense?
- The saddest chord progression ever
- Why do people love music so much?
- Composing for controllerism
- Toward a statement of purpose
- How to write a pop song
- Ableton Session View and instrument design
- All student work should go on the web
- A book you should read
- Happy birthday Thelonious Monk
- Will musicians ever be replaced by robots?
- Panel on games in education
- Shared sample projects
- Electronic music tasting menu
- Music theory blues
- Blues tonality
- Digital audio basics
- My music education
- Sucker MCs
- My NYU course this fall
- Remix as compositional critique
- The great music interface metaphor shift
- A DIY video about DIY recording
- Killen and Marotta
- Internet blues
- Making rhythm tutorial videos
- Reflections on teaching Ableton Live, part two
- Reflections on teaching Ableton Live: part one
- What is groove?
- What’s up with Ethan
- Remixing Verdi with Ableton Live
- Why is “Let It Go” such a big deal?
- Announcing the Peter Gabriel edition of Play With Your Music
- Participatory music vs presentational music
- Anatomy of a Disquiet Junto project
- Some contemporary classical music that I actually like
- Composing improvisationally with Ableton Live
- Marc Weidenbaum on remixes
- Recording Peter Gabriel’s Security
- Tabla Breakbeat Science is dropping an album
- Repetition defines music
- Play With Your Rhythm
- The state of the lullaby
- Play with your music theory
- Everyone can and should be making music
- TufAmerica suing Frank Ocean is ridiculous
- Video production is hard but fun
- Milo is walking
- The Red Hot Chili Peppers unplugged
- Fractal music
- Animated gifs and electronic music
2013 59
- Why is son clave so awesome?
- The Groove Pizza
- Reflections on the MOOC
- Thesis presentation
- My masters thesis is done
- Can science make a better music theory?
- Toward a better music theory
- My collection of transcribed rhythm patterns
- Analyzing the musical structure of “Sledgehammer” by Peter Gabriel
- Teaching audio and MIDI editing in the MOOC
- Teaching expressive use of audio effects in the MOOC
- Teaching mixing in a MOOC
- Play With Your Music curriculum design – learning to listen
- Designing a music production MOOC
- Teaching math with the Drum Loop
- Tabla Breakbeat Science
- Software design as research
- Hip-hop transcriptions
- Constructivist learning and Scratch
- Against Music Theory – some commentary
- Against music theory
- Miley vs Sinéad
- ComposerQuest podcast with Marc Weidenbaum
- Experience designers design experiences
- Drum Loop programming lesson concept images
- Another radial drum machine
- Music students and maker culture
- Radial drum machine update
- Designing music learning experiences with technology
- Hi people in Alex’s class
- Why isn’t repetitive music boring to listen to?
- Hereditary units in music
- My process of composing music
- Minsky on music
- Listening like a musician
- Getting ready for the recording studio
- Making it easier to be musical
- What is polyphony?
- Why do suburban white kids like gangsta rap?
- How to promote flow in music students
- The Nirvana effect
- Computer improvisation
- The definition of music
- Rockism
- Where I’m at
- Friends don’t let friends clap on one and three
- The radial drum machine: background and inspiration
- The evolutionary origin of laughter
- The backbeat: a literature review
- My thesis proposal
- Is it boring to play repetitive music?
- User Interface Design for Music Learning Software
- Remixing “Here Comes The Sun” in 5.1 Surround
- Using Ableton Live to teach music
- Make the music with your mouth
- Carl Sagan explains why Pong is good for you
- Live at apexart
- Top tracks of 2012
- Did Yoko Ono break up the Beatles?
2012 45
- Meet Milo
- There’s joy in repetition
- Teaching the studio as instrument
- The Schizophonia of David Byrne, Brian Eno, and The Orb
- A modern classical fan responds
- Sonic analysis of “Tightrope” by Janelle Monáe
- Catch my presentation at the Ableton Advanced Users Meetup
- How has the representation of the human body changed in modern and contemporary art over the last 100 years?
- Nicest blog comment ever
- Toward a better music curriculum
- My top 100 jazz tracks
- The Disquiet Junto
- Silver Apples of the Moon
- Debating the morals of the mashup
- Frank Ocean’s Real Love
- Visualizing song structures
- My NPR debut
- Dreaming of a masters thesis
- User interface case study: iOS Garageband
- User interface case study: Propellerheads Figure
- High modernist electronic interfaces
- Graceland
- Who cares if you listen?
- My first foray into iOS music
- Inside Morton Subotnick’s studio
- Originality in Digital Music
- Sampling and semiotic democracy
- What we talk about when we talk about Kanye West
- Encoding emotion
- From my SoundCloud stats
- Programming languages as musical instruments
- Improvisation in music games
- Looping and stasis in Medúlla
- The post-fidelity era
- Teaching music with looping
- That ill tight sound
- Beatboxing and mashups are the new folk music
- What is an octave?
- Image schemas in music software
- What is the worst aspect of the United States of America?
- Grad school update
- Round Midnight
- How does jazz work?
- Who should you follow to keep up to date on digital music trends?
- How did Cher’s “Believe” come to be the first pop song to use Auto-Tune?
2011 83
- How do I learn to draw?
- What is the best song by a solo Beatle?
- Musical politicians
- What makes jazz great?
- Why do people watch music videos, especially tweens and teenagers?
- How did the word “groovy” come to acquire its current meaning?
- What are some ideas for making jazz more popular?
- Does free will exist?
- Who are some musicians whose work got better with age?
- The Lick
- How do you learn to remix/mashup songs?
- Updated social flow
- The best jazz versions of classical pieces
- Donner Social
- Where does the “Egyptian” melody originally come from?
- Is music the most abstract art form?
- What is the best live album?
- What are the main ideas and highlights of Gödel, Escher, Bach?
- Why do I grimace when I concentrate?
- The Makossa diaspora
- Visual remixes
- What are the greatest basslines ever?
- How do I learn to improvise music?
- What is the evolutionary purpose of dreaming?
- Visualizing music
- Who are the best mashup DJs?
- Why has the human brain evolved so much more than any other animals?
- How do you isolate samples like Girl Talk?
- Biggie Biggie Smalls Is The Illest
- Why do people like Girl Talk?
- Does teaching Intelligent Design in schools really damage science?
- What is the relationship between music and math?
- How is Earth’s gravity generated?
- Is Richard Dawkins helping science through his attacks on religion?
- My top five SoundCloud tracks
- Building a better dopamine awareness campaign
- Why hasn’t the recording industry sued Girl Talk?
- What does the human brain find exciting about syncopated rhythm and breakbeats?
- Tune-Yards
- Why do fake rumors such as vaccines causing child autism work?
- Is Dan Savage’s internet campaign against Rick Santorum moral?
- What are some possible innovations for Delicious going forward?
- Kid-friendly hip-hop recommendations
- Why does listening to music sometimes make you feel high?
- The Amen Break
- What goes on neurologically when a song gets stuck in your head?
- Jay-Z and Alan Lomax
- How do you know what key you’re in?
- Samples and community
- How do you have a career as a musician?
- What is the creative process like when writing a song?
- Probability
- Check The Rhime
- How is it possible to compose jazz when improvisation is an essential component?
- Reggie Watts
- How to groove
- Flute of Forgotten Dreams
- How does a computer work?
- How can you give an effective talk on a depressing topic without depressing your audience?
- It don’t mean a thing if it ain’t got that swing
- What does “ye-yeah” and “baby” mean in the context of pop songs?
- What are all the genres of Western music and their typical characteristics?
- Is the album dead?
- Why is so much music written in 4-4?
- Why is music so important in our lives?
- Harmonica guide
- The major scale and the circle of fifths
- Interviewing Leo Ferguson
- Na Na Na Na
- Bach and Paul Simon
- Facebook and multiple identites
- Lost In The World
- The Facebook Effect
- Promoting music through social media
- Diminished chords and the blues
- The roof is on fire
- White people and hip-hop
- The freakiness of melodic minor
- Intro to minor keys
- The major scale modes
- Meet the major scale
- The blues scale
- Blues basics
2010 71
- The Delicious debacle
- Blues for the Jews
- The pentatonic box
- In praise of copying
- Hawaii, part five
- Hawaii, part four
- Hawaii, part three
- Hawaii, part two
- Hawaii, part one
- The mystical tritone
- Capturing sound
- Improvising electronica
- Empire State Of Mind
- Busta Rhymes has got you all in check
- Music in The Social Network
- The Mad Men theme and Autumn Leaves
- Cold Sweat in the Terrordome
- Eric B and Rakim
- The Champ
- Put my thang down, flip it and reverse it
- The complicated case of Antoine Dodson
- Michael Jackson lives
- Ashley’s Roachclip
- Nas Is Like
- Another social media flowchart
- Doctorin’ The Top Forty
- May the weak force be with you
- The Choice Is Yours
- INXS needs you tonight
- They Reminisce Over You
- Don’t Stop Til You Get Enough
- Michael Jackson, one year later
- Janelle Monáe and Randall Thompson
- Brand Nubian meets Edie Brickell
- My social media setup
- One for the treble, two for the bass
- Tommy The Cat
- Music theory for beginner guitarists
- Dig the big bang
- Muppet Silly Songs
- Hey! Wait!
- WordPress is why I love the internet
- Drum machine programming
- Blue notes and other microtones
- Bach to the future
- Do that stuff, aw do that stuff
- Life in one day
- Here comes the sun
- Tales of an Apple fanboy
- Impeach The President
- The Revenge Of The Nerds band
- What does live music mean in the laptop era?
- The Grateful Dead and electronica
- Moody’s Mood For Love
- Repetition, repetition, repetition, repetition
- Glenn Gould predicts remix culture
- Scales and emotions
- Inside the recording process
- Songwriting and genealogy
- I’m speaking on a panel
- Le Freak, c’est chic
- Authenticity
- The case for sampling
- Imogen Heap and artificial harmony
- Copyright Criminals
- Bloom County and Michael Jackson
- Apache makes you go hmmm
- How to get web traffic from Google
- Resequencing the Funky Drummer’s DNA
- Open-source music
- Video remixes and mashups
2009 71
- Blue Christmas
- Billie Jean and lip-synching
- How we wrote this song
- Blogging is a real-time strategy game
- Coltrane was an analog remixer
- Female A Milli remixes
- Bitter Sweet Symphony
- Dancin’ On The Ceiling
- Don Draper and my dad
- Human Nature
- Kramer
- Breakdance
- Janet and Michael vs Molly and me
- DJ on the one and two
- Good old Grateful Dead
- Halo is a giant mashup
- Janet (Ms Jackson if you’re nasty)
- In spite of everything, I still listen to Kanye West all the time
- DDR at Turkey Day
- Who owns the Michael Jackson makossa chant?
- The web browser as a musical instrument
- Michael Jackson fan art
- Rhymefest is looking at the man in the mirror
- Lil Wayne’s productivity secrets
- Björk thought she could organize freedom, how Scandinavian of her
- The Beatles were an electronica band
- Game controllers as musical instruments
- His name is Prince, and he is funky
- Music at my house
- Real guitars are for old people
- Can robots DJ?
- Brian Eno writes songs with the mixing desk
- Sampling keyboards
- Loop mode: improvisation is composition is recording
- How musical instruments work
- Nah, na na na na nah na naah, Katamari Damacy!
- Auto-tune (is) the news
- A synthesizer is like an axe
- Clap your hands, stomp your feet
- Is clock time oppressive or liberating? Yes.
- Jazz Jazz Revolution
- Biz Markie gets the copyright smackdown
- Jimi Hendrix, electronic musician
- Mashups as micro-mixtapes
- The Doctor Who theme song: analog electronica
- Wow chicka wah-wah
- RIP MJ
- When The Levee Breaks
- Herbie Hancock gets future shock
- Bad meaning good
- God don’t ever give me nothing I can’t handle, so please don’t ever give me records I can’t sample
- How to make a hot beat
- Human technology is part of nature
- Self-reference in computer programming and hip-hop
- The Michael Jackson sample map goes viral
- Songwriting and computer programming
- The natural history of the Funky Drummer break
- The desktop metaphor is, like, so five minutes ago
- So what is the big deal with Einstein?
- Be brave, go ahead and divide by zero
- Learning music theory with Auto-Tune
- The Minus World and the Blue Screen Of Death
- Brain vs computer: which is better?
- Inside the black box
- How transistors think
- Is technological progress good or bad? Yes.
- No one has ever written an original song
- Twitter, jazz and moving music forward into the stone age
- In the sequencer, the notation is the performance
- Robot counting for humans
- Fun facts from the usage logs